1
U
U
23
0
+50
0
+50
-20dB
+30dB
-20dB
+30dB
24
GAIN
GAIN
LOW CUT
LOW CUT
100 Hz
100 Hz
COMP
COMP
25
OFF
MAX
OFF
MAX
EQ
U
U
27
HI
12kHz
-15
+15
-15
+15
U
U
28
MID
-15
+15
-15
+15
600
600
29
150
1.5k
150
FREQ
100
8k
100
8k
U
U
32
LOW
80Hz
-15
+15
-15
+15
AUX
SEND
SEND
U
U
33
MON
1
+15
+15
O O
O O
U
U
34
MON
2
+15
+15
O O
O O
U
U
35
FX
1
+15
+15
O O
O O
U
U
36
FX
2
+15
+15
O O
O O
PAN
37
L
R
L
R
38
1
39
dB
dB
10
10
OL
5
5
+10
U
U
0
40
5
5
-20
10
10
20
20
30
30
SOLO
40
40
50
50
60
41
60
O O
O O
26. HI-Z SWITCH (Ch. 7 and 8 only)
Engage this switch if you want to connect a guitar
directly to the 1/4" inputs of channels 7 or 8.
Without this switch, you need to use a DI box fi rst,
before connecting guitars directly. If these switches are
not pressed in, guitars will not sound good, particularly
the high frequency response.
CHANNEL EQUALIZATION (EQ)
The PPM1012 mono channels have 3-band equaliza-
tion: low shelving, mid peaking with adjustable frequen-
cy, and high shelving. The stereo channels have 4-band
EQ: low shelving, low-mid and high-mid peaking, and
high shelving.
18
PPM1012
2
3
4
U
U
0
+50
0
+50
-20dB
+30dB
-20dB
+30dB
-20dB
GAIN
GAIN
LOW CUT
LOW CUT
100 Hz
100 Hz
COMP
COMP
OFF
MAX
OFF
MAX
OFF
EQ
EQ
EQ
U
U
HI
HI
HI
12kHz
12kHz
12kHz
-15
+15
-15
+15
U
U
MID
MID
MID
-15
+15
-15
+15
600
600
1.5k
150
1.5k
150
1.5k
150
FREQ
FREQ
FREQ
100
8k
100
8k
U
U
LOW
LOW
LOW
80Hz
80Hz
80Hz
-15
+15
-15
+15
AUX
AUX
AUX
SEND
SEND
U
U
MON
MON
MON
1
1
1
+15
+15
O O
O O
U
U
MON
MON
MON
2
2
2
+15
+15
O O
O O
U
U
FX
FX
FX
1
1
1
+15
+15
O O
O O
U
U
FX
FX
FX
2
2
2
+15
+15
O O
O O
PAN
PAN
PAN
L
R
L
R
dB
dB
dB
10
10
10
OL
OL
OL
5
5
5
+10
+10
+10
U
U
U
0
0
0
5
5
5
-20
-20
-20
10
10
10
20
20
20
30
30
30
SOLO
SOLO
SOLO
40
40
40
50
50
50
60
60
60
O O
O O
O O
5
6
U
U
U
0
+50
0
+50
0
+50
+30dB
-20dB
+30dB
-20dB
+30dB
GAIN
GAIN
GAIN
LOW CUT
LOW CUT
26
LOW CUT
100 Hz
100 Hz
100 Hz
COMP
COMP
HI-Z
MAX
OFF
MAX
EQ
EQ
EQ
U
U
U
HI
HI
12kHz
12kHz
12kHz
-15
+15
-15
+15
-15
+15
U
U
U
MID
MID
-15
+15
-15
+15
-15
+15
600
600
600
1.5k
150
1.5k
150
1.5k
FREQ
FREQ
100
8k
100
8k
100
8k
U
U
U
LOW
LOW
LOW
80Hz
80Hz
80Hz
-15
+15
-15
+15
-15
+15
AUX
AUX
AUX
SEND
SEND
SEND
U
U
U
MON
MON
MON
1
1
+15
+15
+15
O O
O O
O O
U
U
U
MON
MON
MON
2
2
+15
+15
+15
O O
O O
O O
U
U
U
FX
FX
1
1
+15
+15
+15
O O
O O
O O
U
U
U
FX
FX
2
2
+15
+15
+15
O O
O O
O O
PAN
PAN
PAN
L
R
L
R
L
R
dB
dB
10
10
OL
OL
OL
5
5
+10
+10
+10
U
U
0
0
0
5
5
-20
-20
-20
10
10
20
20
30
30
SOLO
SOLO
SOLO
40
40
50
50
60
60
O O
O O
Shelving EQ means that the circuitry boosts or cuts
all frequencies past the specifi ed frequency. For exam-
ple, the low EQ boosts bass frequencies below 80 Hz and
continuing down to the lowest note you never heard.
Peaking EQ means that certain frequencies form a "hill"
around the center frequency.
With too much EQ, you can really upset things. We've
designed a lot of boost and cut into each equalizer
circuit, because we know that everyone will occasion-
ally need that. But if you max the EQ on every channel,
you'll get mix mush. Equalize subtly and use the left
sides of the knobs (cut), more than the right (boost).
If you fi nd yourself repeatedly using full boost or cut,
consider altering the sound source, such as placing a
mic differently, trying a different kind of mic, changing
the strings, or gargling.
7
8
9/10
11/12
U
U
0
+50
-20
+20
-20
-20dB
+30dB
GAIN
GAIN
GAIN
26
LOW CUT
100 Hz
HI-Z
EQ
EQ
U
U
HI
HI
HI
12kHz
12kHz
-15
+15
-15
+15
-15
U
U
30
MID
MID
HI
MID
2.5kHz
-15
+15
-15
+15
-15
600
U
31
LOW
150
1.5k
MID
FREQ
FREQ
400Hz
-15
+15
-15
100
8k
U
U
LOW
LOW
80Hz
80Hz
-15
+15
-15
+15
-15
AUX
AUX
SEND
SEND
U
U
MON
MON
1
1
1
+15
+15
O O
O O
O O
U
U
MON
MON
2
2
2
+15
+15
O O
O O
O O
U
U
FX
FX
FX
1
1
1
+15
+15
O O
O O
O O
U
U
FX
FX
FX
2
2
2
+15
+15
O O
O O
O O
PAN
PAN
L
R
L
R
L
9/10
dB
dB
dB
10
10
10
OL
OL
5
5
5
+10
+10
U
U
U
0
0
5
5
5
-20
-20
10
10
10
20
20
20
30
30
30
SOLO
SOLO
40
40
40
50
50
50
60
60
60
O O
O O
O O
U
+20
EQ
U
HI
12kHz
+15
U
30
HI
MID
2.5kHz
+15
U
31
LOW
MID
400Hz
+15
U
LOW
80Hz
+15
AUX
SEND
U
MON
1
+15
U
MON
2
+15
U
FX
1
+15
U
FX
2
+15
PAN
R
11/12
OL
+10
0
-20
SOLO