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In a live sound/recording application the
console fader banks are chained together to form
one large console. With the addition of up to 24
more mic preamplifiers, the tape inputs can be
used to receive signal from any mic-level or line-
level source.
The setups for live concert recording and live
sound are similar. Each involves mixing everything
as you go—moving faders, or setting and selecting
snapshots. Whereas the live concert mix sends the
final audio to the monitors and house sound system,
the live recording mix sends the final audio to the 2-
track recorder and the headphones.
Follow this simple procedure to set up for a live
session.
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Live Application Tip #1: Buses 1–8 don't sum to L/R
Mix internally. Therefore, to utilize buses as masters,
route the bus (sub) out the Alt I/O then back into any
channel or Alt I/O input. Or, simply use the virtual
groups as level and mute masters.
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Live Application Tip #2: Don't forget the Snapshot
filters. If you find a parameter setting that you want to
keep throughout the performance (EQ, plugin,
compressor, etc.), simply filter that parameter out of
your saved set of snapshots. All your changes will still
happen on cue as you scroll through snapshots, but
your updated parameters will remain constant.
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