Feature Descriptions; Gain - Mackie M-800 Owner's Manual And Warranty Registration
Fr series fast recovery high-current power amplifier
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Also See for M-800:
- Hook-up manual (4 pages) ,
- Brochure (8 pages) ,
- Service manual (22 pages)
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FEATURE DESCRIPTIONS
LET'S TWIST A GAIN
GAIN/dB
These are completely independent volume
3v
controls for each channel. Instead of having an
18
16
20
arbitary scale, they are carefully calibrated:
2v
14
22
• The inner ring graphic is labeled in dB,
12
24
though this indicates the amplifier's voltage gain,
think of it as increasing decibels from off to 28.
6
26
28
• The outer ring shows the input sensitivity
1v
in volts. This is the amount of voltage required
1.23v (+4dBu)
SENSITIVITY
from a mixer to drive the amp to it's rated power
output (225 watts into 4 ohms). With the con-
trol fully clockwise, it will require an input level
of 1.23 volts rms to reach rated power. This is
equivalent to putting in a signal level of +4 dBu.
If you have the knob set at 3v, it will require
3 volts from your mixer to reach full power.
This will rob the mixer of headroom, because it
takes extra voltage to drive the amp. Rotating
the knob to 2v means you will need 2 volts from
your mixer, which improves the mixer head-
room. Rotating the GAIN control all the way
clockwise provides the best mixer headroom
under normal operation.
Note: The calibration marks only apply to
stereo or mono operation using speakers of
4 ohms impedance.
Like all amplifier controls, you'll typically
determine the optimal settings during installa-
tion or sound check, then leave them alone,
using your signal source (mixer/preamp) to
control listening levels as you work. Or play.
You may wonder why we didn't use just one
stereo control to control both sides. That's in
case your application requires a left/right im-
balance (due to an irregularly shaped room),
an irregularly shaped friend, or if you're using
the two sides for completely different purposes
(such as monitor in CH 1 and side-fill in CH 2).
FULL SYMMETRY DUAL DIFFERENTIAL HIGH CURRENT DESIGN
CH
GAIN/dB
1
SIG
OL
3v
18
–
16
20
3
2v
–
14
22
6
–
12
24
9
–
20
6
26
CH STATUS
28
1v
1&2
SENSITIVITY
1.23v (+4dBu)
NORM
HOT
10
GAIN/dB
CH
OL
2
3v
–
18
3
16
20
2v
–
6
14
22
–
9
12
24
–
20
6
26
28
1v
SENSITIVITY
1.23v (+4dBu)
Here are some more examples of how you
might use the GAIN controls:
• When you are in a small room where loud
volume is not required, having the amp gain
controls turned fully clockwise would require
you to keep the mixer faders down exceptionally
low. In this case, first set the mixer faders to
unity gain, adjust the mixer's input trim controls
to optimum, then rotate each M•800 GAIN con-
trol until the desired volume is obtained.
• If you have high efficiency speakers and a
high gain preamp, you may hear "hiss" in your
speakers. This can be fixed by turning the
GAIN controls down a few notches.
• If you are not blessed with a mixer or
preamp, it is possible to connect a source com-
ponent directly to the amplifier. For example,
you can connect a CD player directly to the in-
puts. You MUST make sure that the amplifier
GAIN controls are turned down before you
start the CD, then bring them up to a nice
level. This direct connection only applies to
line-level components. It does not apply to
turntables, microphones, or instruments, as
these need preamplification and equalization.
The GAIN controls differ in operation be-
tween stereo, dual mono, and bridged modes:
STEREO and MONO:
Each control is independent;
CH 1 GAIN only changes CH 1,
CH 2 GAIN only changes CH 2.
BRIDGE:
Only the CH 1 GAIN control will work
because the CH 2 control is bypassed
internally.
PROFESSIONAL POWER AMPLIFIER
ON
OFF
POWER
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